Italian High Renaissance Painter, 1483-1520 Raphael Sanzio, usually known by his first name alone (in Italian Raffaello) (April 6 or March 28, 1483 ?C April 6, 1520), was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (from 1504-1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates.  Related Paintings of Raphael :. | Portrait of Maria Antonietta of Spain | Madonna Esterhazy | the creation of the animals | Michael | Portrait of Pope Leo X with Cardinals Guillo de Medici and Luigi de Rossi |
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Bartolomeo Passerotti
(1529-1592) was an Italian painter of the mannerist period, who worked mainly in his native Bologna. He traveled to Rome in the mid-16th century, where he worked under Girolamo Vignola and Taddeo Zuccari. Upon returning to Bologna, he accumulated a large studio, and influenced many Bolognese who would later play a role in the rise of the Baroque. Annibale Carracci (whose brother Agostino studied with Passarotti) was influenced by Passarotti's genre scenes in a select set of paintings (such as The Beaneater and The Butcher's Shop, the latter being originally attributed to Passarotti). Lucio Massari and Francesco Brizzi were among his pupils. Four of Passarotti's sons, including Ventura, Aurelio, Tiburzio, and Passarotto were painters.
Abraham Hondius
(1625 - 1691) was a Dutch Golden Age painter known his depictions of animals. He was the son of a city stonemason, Daniel Abramsz de Hondt. Hondius was born in Rotterdam and trained under Pieter de Bloot ( 1601 - 1658) and Cornelis Saftleven.He lived in Rotterdam until 1659 and moved then to Amsterdam. He moved to London] in 1666, where he spent the rest of his life. Hondius combined throughout his career several stylistic influences and struggled to develop a style of his own. He however specialised somehow in animal pieces: more than two-thirds of his paintings, etchings and drawings are hunting scenes, animals fighting and animal studies. He also executed landscapes, genre and religious scenes. Hondius most likely moved to London] (where he later died) in 1666 where he spent the rest of his life. He painted views of London such as The Frost Fair on the Thames at Temple Stairs and London Bridge. His last known work is "Ape and Cat Fighting over Dead Poultry," dated 1690.
Francisco Miralles Y Galup
Spanish 1848-1901